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Banned Books

The Merritt College library shares a list of books in our collection that have been challenged for many different reasons.

Let's resist the banning of books

Banned Books Week 2024“This is a dangerous time for readers and the public servants who provide access to reading materials. Readers, particularly students, are losing access to critical information, and librarians and teachers are under attack for doing their jobs.”


- Deborah Caldwell-Stone, director of the ALA’s Office for Intellectual Freedom

 

 

For more information visit BannedBooksWeek.

Challenged Fiction Books

Trash

Banned for Graphic Content

The limitless scope of human emotion and experience are depicted in these stories, which give an eloquent voice to the terrible wounds we inflict on those closest to us.

Fire

Banned for Lascivious Content

Drawn from Nin's original, uncensored journals, Fire continues the story of one woman's quest to discover and liberate herself sexually, artistically, and emotionally.

Always Running: La Vida Loca

Banned for Graphic Depictions of Violence, Sex, and Drug Use

A former L.A. gang member describes his experiences in that world, recounting the sense of security and power found in a gang and the grim reality of violence and poverty.

Challenged Non-Fiction Books

The Autobiography of Malcolm X

Banned due to views on Racism, Violence and Politics

The controversial leader of the Black Muslims tells the story of his life and his part in the civil rights movement.

An Indigenous Peoples' History of the United States

Banned for a Critical Perspective on American History

Spanning more than four hundred years, this classic bottom-up peoples' history radically reframes US history and explodes the silences that have haunted our national narrative.

Available in print and online.

Maus II: A Survivor's Tale

Banned due to Explicit Language and Depictions of Violence and Suicide

Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching the unspeakable through the diminutive.